PUBLICATIONS

Books and edited collections:

Multimodal Comics: The Evolution of Comics Studies, ed. Madeline B. Gangnes, Christopher Murray and Julia Round (Bristol: Intellect, 2024).
The Routledge Companion to Literary Media, ed. Astrid Ensslin, Julia Round and Bronwen Thomas (London: Routledge, 2023).
Readers' Guide to Essential Criticism: Comics and Graphic Novels, by Julia Round, Rikke Platz Cortsen and Maaheen Ahmed (London: Bloomsbury, 2022).
Gothic for Girls: Misty and British Comics (Jackson, MS: University Press of Mississippi, 2019).
Gothic in Comics and Graphic Novels: A Critical Approach (Jefferson, CA: McFarland, 2014).
Real Lives, Celebrity Stories: Narratives of Ordinary and Extraordinary People Across Media, ed. Bronwen Thomas and Julia Round (London: Bloomsbury, 2014).

Peer reviewed articles and book chapters:

‘“There’s no room for demons when you’re self-possessed”: Supernatural Possession in British Girls’ Comics’ in The Edinburgh History of Children’s Periodicals, ed. Kristine Moruzi, Beth Rodgers, and Michelle J. Smith (Edinburgh: Edinburgh UP, 2024), pp112-129.
‘Vom Comic zur Graphic Novel und vom Buch zum Roman: Die unsichtbaren Autoren des Sandman und die Suche nach Literariztat’ in Der Roman als Netzwerk: Formen, Ideen, Waren, ed. Tim Lanzendörfer and Corinna Norrick-Rühl (Cham Springer, 2023), pp157-186.
‘Picturing girlhood’, in Sugar, Spice and the Not So Nice, ed. Dona Pursall and Eva Van de Wiele (Belgium: Leuven UP, 2023), pp229-234 (open access, please download from link).
‘The Gothic in comics and children’s literature: an interview with Julia Round’ by Julia Round and Anna Marta Marini, in REDEN 3(2) (Spring 2022): Special issue ‘Conversations on the Gothic in Popular Culture’.
‘Misty, Mash-Ups, and the Marginalized in British Girls’ Comics’ in Gothic Mash-Ups, ed. Natalie Neill (Lanham, MD: Lexington Books, 2022), pp173-188.
‘“little gothics”: Misty and the “Strange Stories” of British Girls’ Comics’ in Gothic Studies 23.2 (September 2021), pp163-180.
‘From comic to graphic and from book to novel: invisible authors and the quest for literariness’ in The Novel as Network: Forms, Ideas, Commodities, ed. Corinna Norrick-Rühl and Tim Lanzendörfer (London: Palgrave, 2020), pp137-162.
‘Horror Hosts in British Girls’ Comics’ in The Palgrave Handbook of Contemporary Gothic, ed. Clive Bloom (London: Palgrave, 2020), pp623-642.
‘Gothic and Comics: From The Haunt of Fear to A Haunted Medium’ in Gothic and the Arts, ed. David Punter (Edinburgh: Edinburgh University Press, 2018), pp418-433.
'Joe Hill and Gabriel Rodriguez's Locke & Key (2008-2013) - Horror Comics' in Horror: A Companion, ed. Simon Bacon (Oxford: Peter Lang, 2019), pp53-60.
‘Grant Morrison, Dave McKean, and Gaspar Saladino's Arkham Asylum (1989)’ in The Gothic: A Reader, ed. Simon Bacon (Oxford: Peter Lang, 2018), pp161-168.
‘Misty, Spellbound and the lost Gothic of British girls’ comics’ in Palgrave Communications 3, Article number: 17037 (2017). doi:10.1057/palcomms.2017.37. Open access, available at http://www.palgrave-journals.com/articles/palcomms201737.
‘The Conferences’ by Chris Murray and Julia Round. In The Secret Origins of Comics Studies, ed. Randy Duncan and Matthew Smith (New York: Routledge, 2017), pp246-262.
‘Gothique et bande dessinée, des fantômes entre les cases’, trans. Benoît Glaude. In Le Statut Culturel de la Bande Dessinée: Ambiguïtés et Évolutions/The Cultural Standing of Comics: Ambiguities and Changes, ed. Maaheen Ahmed, Stéphanie Delneste, Jean-Louis Tilleuil (Louvain-la-Neuve: Academia-L'Harmattan, 2017), pp75-96.
‘Moderating reading and readers online’ by Bronwen Thomas and Julia Round. In Language and Literature 25 (3), ed. Daniel Allington and Stephen Pihlaja. Sage Journals. August 2016, pp239-253.
‘Revenant landscapes in The Walking Dead’ in International Journal of Comic Art 17.2, Fall 2015, pp295-208.
Children’s responses to heroism in Roald Dahl’s Matilda’ by James Pope and Julia Round. In Children’s Literature in Education Vol. 46, No. 3. New York: Springer Science+Business Media. 18 October 2014, pp257-277.
‘We share our mother’s health’ in Comic Book Geographies, ed. Jason Dittmer. Media Geography series Vol 4 (Stuttgart: Franz Steiner Verlag, 2014), pp127-140.
‘The transformations of Harvey Pekar’s American Splendor: “Ordinary life is pretty complex stuff”’ in Real Lives, Celebrity Stories: Narratives of Ordinary and Extraordinary People Across Media, ed. Bronwen Thomas and Julia Round (London: Bloomsbury, 2014), pp95-110.
‘Apocatastasis: Redefining tropes of the apocalypse in Neil Gaiman and Dave McKean’s Signal to Noise’ in International Journal of Comic Art 15.2, Fall 2013, pp453-464.
‘Anglo-American comics’ in From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative, ed. Daniel Stein and Jan-Noël Thon. No. 37 in the ‘Narratologia’ series. (Berlin: De Gruyter, 2013), pp325-345.
‘The zombie walk’ in Mythologies Today, ed. Julian McDougall and Peter Bennett (London: Routledge, 2013), pp50-52.
‘Medium, spirits and embodiment in Voice of the Fire’ in Alan Moore and the Gothic Tradition, ed. Matt Green (Manchester: Manchester University Press, 2013), pp235-252.
‘The horror of humanity’ in The Walking Dead and Philosophy, ed. Wayne Yuen. Part of the Popular Culture and Philosophy series (Chicago, IL: Open Court Press, 2012), pp155-166.
‘Fantastic alterities and The Sandman’ in Crossing Boundaries in Graphic Narrative: Essays on Forms, Series and Genres, ed. Jake Jakaitis and James F. Wurtz (Jefferson, CA: McFarland, 2012), pp71-92.
‘Gothic and the graphic novel’ in A New Companion to the Gothic, ed. David Punter (London: Blackwells, 2012), pp335-349.
‘Naturalising the fantastic: comics archetypes’ in Investigating Heroes: Essays on Truth, Justice and Quality TV, ed. David Simmons (Jefferson, CA: McFarland, 2012), pp51-65.
‘Out of House and Holmes’ in Sherlock Holmes and Philosophy, ed. Josef Steiff. Part of the Popular Culture and Philosophy series, series ed. George A. Reisch (Chicago, IL: Open Court Press, 2011), pp135-146.
‘Reconstructing Alice Cooper: ‘From the Inside’ to The Last Temptation’ in Journal of Graphic Novels and Comics 1.2 (Oxford: Routledge, December 2010), pp151-170.
‘Chapter One: “Is this a book?” DC Vertigo and the redefinition of comics in the 1990s’ in The Rise of the American Comics Artist: Creators and Contexts, ed. Paul Williams and James Lyons (Jackson MS: University of Mississippi Press, 2010), pp14-30.
‘‘The Apocalypse of Adolescence’: The use of genre conventions in Mark Millar/Peter Gross’s Chosen’ in Graven Images, ed. A. David Lewis and Christine Hoff Kraemer (London: Continuum, 2010), pp188-202.
‘“Be vewy vewy quiet. We’re hunting Wippers.” A Barthesian analysis of the construction of fact and fiction in Alan Moore and Eddie Campbell’s From Hell’ in The Rise and Reason of Comics and Graphic Literature: Critical Essays on the Form, ed. Dan Hassler-Forest and Joyce Goggin (Jefferson, CA: McFarland & Co, 2010), pp188-201.
‘‘Can I call you “Mommy”?’ Myths of the female and superheroic in Neil Gaiman and Dave McKean’s Black Orchid’ in Debating the Difference: Gender Representation and Self-Representation, ed. Rachel Jones, Hamid van Koten, Chris Murray and Keith Williams (Dundee: Duncan of Jordanstone, University of Dundee, 2010), pp1-18. ISBN 1-89983760-4.
‘Transforming Shakespeare? Neil Gaiman and The Sandman’ in Beyond Adaptation: Essays on Radical Transformations of Original Works, ed. Phyllis Frus and Christy A. Williams (Jefferson, CA: McFarland & Co, 2010), pp95-110.
‘Cryptomimetic tropes in Yoshinori Natsume's Batman: Death Mask’ in Foundation 106, ed. Graham Sleight (Liverpool: Science Fiction Foundation, 2009), pp43-52. ISSN: 0306-4964258.
‘Contrariwise! Breaking rules in Alice in Sunderland’ in Critical Engagements: A Journal of Criticism and Theory 3.1, Spring/Summer 2009, pp180-201. ISSN 1754-0984. ISBN 978-1-4457-5485-7.
‘Impersonating Hollywood: The conflicting identity discourses of Charlie Murphy’s True Hollywood Stories’ in The Comedy of Dave Chappelle: Critical Essays, ed. K. A. Wisniewski (Jefferson, CA: McFarland & Co, 2009), pp86-101.
‘Mutilation and monsters: transcending the human in Garth Ennis/Steve Dillon’s Preacher’ in The Human Body in Contemporary Literatures in English: Cultural and Political Implications, ed. Sabine Coelsch-Foisner and Marta Fernández Morales (Frankfurt am Main: Peter Lang, 2009), pp109-128.
‘Subverting Shakespeare? The Sandman #19’ in Sub/versions: Cultural Status, Genre and Critique, ed. Pauline MacPherson et al (Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2008), pp18-33.
‘London’s calling: alternate worlds and the city as superhero in contemporary British-American comics’, International Journal of Comic Art 10.1, Spring 2008, pp24-31.
‘Visual perspective and narrative voice in comics: redefining literary terminology’, International Journal of Comic Art 9.2, Fall 2007, pp316-329.
‘Fragmented identity: the superhero condition’, International Journal of Comic Art 7.2, Fall/Winter 2005, pp358-369.

Curation and Guest Editing:

Guest Editor of ‘Comics, Conscience and Gender’ Studies in Comics 15(1) (Summer 2024).
Guest Editor of ‘Conjuring a New Normal: Monstrous Routines and Mundane Horrors in Pandemic Lives and Dreamscapes’ The Comics Grid (January 2024).
Guest Editor of ‘Gothic and Comics’ Gothic Studies 25(3) (November 2023).
Curator of ‘British Comics’ Blog Series at Confessions of an Aca-Fan, http://henryjenkins.org/ (October 2019-March 2020).
Guest Editor of ‘Metal and Politics’ Metal Music Studies 4(2) (2018).

Additional:

‘‘WWWWD: What Would Wonder Woman Do?’ An Interview with Trina Robbins’ by Olivia Hicks and Julia Round. Studies in Comics 7.2, Fall/Winter 2016, pp288-300.
Interview with Charlie Adlard. Studies in Comics 4.1, Spring/Summer 2013, pp5-14.
Contributor to Icons of the American Comic Book, ed. Randy Duncan and Matthew J. Smith (Santa Barbara, CA: ABC-Clio, 2013).
Interview with Henry Jenkins. Studies in Comics 3.2, Fall/Winter 2012, pp191-202.
Contributor to the Blackwells Encyclopaedia of the Gothic, ed. David Punter (Oxford: Blackwells, 2012).
Contributor to the Greenwood Encyclopaedia of Comic Books and Graphic Novels, ed. M. Keith Booker (Westport, CT: Greenwood Press, 2010).

Professional and Commercial Publications:

‘Our Friend of the Mists’ in Hellebore magazine (December 2023)
‘Mary Shelley’s Legacy in British Girls’ Comics’ in Conception – Mary Shelley: The Making of a Monster by Deborah Clair (Methuen, 2023).
‘Introduction’ in Misty: 45 Years of Fear (Rebellion, 2023)
‘The Black Widow: Context and Girlhood’ in The Art of Jaume Rumeu (Rebellion, 2021).
‘Gothic Children: Investigating Comics & Children's Literature with Dr. Julia Round’ at What Sleeps Beneath (19 June 2020). https://www.whatsleepsbeneath.com/all/gothicchildren/juliaroundinterview
‘Horror, Adventure and Adaptation: Locke and Key from Comics to Netflix’, with Dr Terrence Wandtke, at Pop Junctions (11 May 2020).
‘Misty’s Serial Stories and Gothic Heroines’ in Comic Scene #10 (ComicsFlix.org Publishing, January 2020).
Interview material, Best of British Magazine (January 2020).
‘Gothic for Girls’ interview, Sci-Fi Pulse (January 2020). https://www.scifipulse.net/julia-round-on-her-academic-work-and-her-book-gothic-for-girls-misty-and-british-comics/.
Interview material, Judge Dredd Megazine (Rebellion, November 2019).
‘Misty and the Horrible Hidden History of British Comics’ for Confessions of an Aca-Fan blog series (October 2019). http://henryjenkins.org/.
‘Horror Hosts in British Girls’ Comics’ in Comic Scene #4 (ComicsFlix.org Publishing, January 2019).
‘Cult Conversations: Interview with Julia Round’ at Confessions of an Aca-Fan (November 2018).
‘Misty: From Creation to Revival’ in Comic Scene #1 (ComicsFlix.org Publishing, October 2018).
‘In Memoriam: Jack Cunningham, Art Editor of Misty’ for Down the Tubes (September 2018). https://downthetubes.net/?p=100776.
‘Maria Barrera Castell’ in Anthologie Misty (Delirium, 2018).
Interview material, 2000 AD Prog 2011 (Rebellion, December 2016).
‘Shirley Bellwood’ in Misty Volume One (Rebellion, 2016).

JULIA ROUND

PUBLICATIONS

Books and edited collections: ​​​

Multimodal Comics: The Evolution of Comics Studies, ed. Madeline B. Gangnes, Christopher Murray and Julia Round (Bristol: Intellect, 2024).

The Routledge Companion to Literary Media, ed. Astrid Ensslin, Julia Round and Bronwen Thomas (London: Routledge, 2023).

Readers' Guide to Essential Criticism: Comics and Graphic Novels, by Julia Round, Rikke Platz Cortsen and Maaheen Ahmed (London: Bloomsbury, 2022).

Gothic for Girls: Misty and British Comics (Jackson, MS: University Press of Mississippi, 2019).

Gothic in Comics and Graphic Novels: A Critical Approach (Jefferson, CA: McFarland, 2014).

Real Lives, Celebrity Stories: Narratives of Ordinary and Extraordinary People Across Media, ed. Bronwen Thomas and Julia Round (London: Bloomsbury, 2014).

Peer reviewed articles and book chapters: ​

‘“There’s no room for demons when you’re self-possessed”: Supernatural Possession in British Girls’ Comics’ in The Edinburgh History of Children’s Periodicals, ed. Kristine Moruzi, Beth Rodgers, and Michelle J. Smith (Edinburgh: Edinburgh UP, 2024), pp112-129.

‘Vom Comic zur Graphic Novel und vom Buch zum Roman: Die unsichtbaren Autoren des Sandman und die Suche nach Literariztat’ in Der Roman als Netzwerk: Formen, Ideen, Waren, ed. Tim Lanzendörfer and Corinna Norrick-Rühl (Cham Springer, 2023), pp157-186.

‘Gothic and Comics: From The Haunt of Fear to A Haunted Medium’ in Gothic and the Arts, ed. David Punter (Edinburgh: Edinburgh University Press, 2018), pp418-433.

'Joe Hill and Gabriel Rodriguez's Locke & Key (2008-2013) - Horror Comics' in Horror: A Companion, ed. Simon Bacon (Oxford: Peter Lang, 2019), pp53-60.

‘Grant Morrison, Dave McKean, and Gaspar Saladino's Arkham Asylum (1989)’ in The Gothic: A Reader, ed. Simon Bacon (Oxford: Peter Lang, 2018), pp161-168.

‘Misty, Spellbound and the lost Gothic of British girls’ comics’ in Palgrave Communications 3, Article number: 17037 (2017). doi:10.1057/palcomms.2017.37. Open access, available at http://www.palgrave-journals.com/articles/palcomms201737.

‘The Conferences’ by Chris Murray and Julia Round. In The Secret Origins of Comics Studies, ed. Randy Duncan and Matthew Smith (New York: Routledge, 2017), pp246-262.

‘Moderating reading and readers online’ by Bronwen Thomas and Julia Round. In Language and Literature 25 (3), ed. Daniel Allington and Stephen Pihlaja. Sage Journals. August 2016, pp239-253.

‘Revenant landscapes in The Walking Dead’ in International Journal of Comic Art 17.2, Fall 2015, pp295-208.

Children’s responses to heroism in Roald Dahl’s Matilda’ by James Pope and Julia Round. In Children’s Literature in Education Vol. 46, No. 3. New York: Springer Science+Business Media. 18 October 2014, pp257-277.

‘We share our mother’s health’ in Comic Book Geographies, ed. Jason Dittmer. Media Geography series Vol 4 (Stuttgart: Franz Steiner Verlag, 2014), pp127-140.

‘The transformations of Harvey Pekar’s American Splendor: “Ordinary life is pretty complex stuff”’ in Real Lives, Celebrity Stories: Narratives of Ordinary and Extraordinary People Across Media, ed. Bronwen Thomas and Julia Round (London: Bloomsbury, 2014), pp95-110.

‘Apocatastasis: Redefining tropes of the apocalypse in Neil Gaiman and Dave McKean’s Signal to Noise’ in International Journal of Comic Art 15.2, Fall 2013, pp453-464.

‘Anglo-American comics’ in From Comic Strips to Graphic Novels: Contributions to the Theory and History of Graphic Narrative, ed. Daniel Stein and Jan-Noël Thon. No. 37 in the ‘Narratologia’ series. (Berlin: De Gruyter, 2013), pp325-345.

‘The zombie walk’ in Mythologies Today, ed. Julian McDougall and Peter Bennett (London: Routledge, 2013), pp50-52.

‘Medium, spirits and embodiment in Voice of the Fire’ in Alan Moore and the Gothic Tradition, ed. Matt Green (Manchester: Manchester University Press, 2013), pp235-252.

‘The horror of humanity’ in The Walking Dead and Philosophy, ed. Wayne Yuen. Part of the Popular Culture and Philosophy series (Chicago, IL: Open Court Press, 2012), pp155-166.

‘Fantastic alterities and The Sandman’ in Crossing Boundaries in Graphic Narrative: Essays on Forms, Series and Genres, ed. Jake Jakaitis and James F. Wurtz (Jefferson, CA: McFarland, 2012), pp71-92.

‘Gothic and the graphic novel’ in A New Companion to the Gothic, ed. David Punter (London: Blackwells, 2012), pp335-349.

‘Naturalising the fantastic: comics archetypes’ in Investigating Heroes: Essays on Truth, Justice and Quality TV, ed. David Simmons (Jefferson, CA: McFarland, 2012), pp51-65.

‘Out of House and Holmes’ in Sherlock Holmes and Philosophy, ed. Josef Steiff. Part of the Popular Culture and Philosophy series, series ed. George A. Reisch (Chicago, IL: Open Court Press, 2011), pp135-146.

‘Reconstructing Alice Cooper: ‘From the Inside’ to The Last Temptation’ in Journal of Graphic Novels and Comics 1.2 (Oxford: Routledge, December 2010), pp151-170.

‘Chapter One: “Is this a book?” DC Vertigo and the redefinition of comics in the 1990s’ in The Rise of the American Comics Artist: Creators and Contexts, ed. Paul Williams and James Lyons (Jackson MS: University of Mississippi Press, 2010), pp14-30.

‘‘The Apocalypse of Adolescence’: The use of genre conventions in Mark Millar/Peter Gross’s Chosen’ in Graven Images, ed. A. David Lewis and Christine Hoff Kraemer (London: Continuum, 2010), pp188-202.

‘Transforming Shakespeare? Neil Gaiman and The Sandman’ in Beyond Adaptation: Essays on Radical Transformations of Original Works, ed. Phyllis Frus and Christy A. Williams (Jefferson, CA: McFarland & Co, 2010), pp95-110.

‘Cryptomimetic tropes in Yoshinori Natsume's Batman: Death Mask’ in Foundation 106, ed. Graham Sleight (Liverpool: Science Fiction Foundation, 2009), pp43-52. ISSN: 0306-4964258.

‘Contrariwise! Breaking rules in Alice in Sunderland’ in Critical Engagements: A Journal of Criticism and Theory 3.1, Spring/Summer 2009, pp180-201. ISSN 1754-0984. ISBN 978-1-4457-5485-7.

‘Impersonating Hollywood: The conflicting identity discourses of Charlie Murphy’s True Hollywood Stories’ in The Comedy of Dave Chappelle: Critical Essays, ed. K. A. Wisniewski (Jefferson, CA: McFarland & Co, 2009), pp86-101.

‘Mutilation and monsters: transcending the human in Garth Ennis/Steve Dillon’s Preacher’ in The Human Body in Contemporary Literatures in English: Cultural and Political Implications, ed. Sabine Coelsch-Foisner and Marta Fernández Morales (Frankfurt am Main: Peter Lang, 2009), pp109-128.

‘Subverting Shakespeare? The Sandman #19’ in Sub/versions: Cultural Status, Genre and Critique, ed. Pauline MacPherson et al (Newcastle-upon-Tyne: Cambridge Scholars Publishing, 2008), pp18-33.

‘London’s calling: alternate worlds and the city as superhero in contemporary British-American comics’, International Journal of Comic Art 10.1, Spring 2008, pp24-31.

‘Visual perspective and narrative voice in comics: redefining literary terminology’, International Journal of Comic Art 9.2, Fall 2007, pp316-329.

‘Fragmented identity: the superhero condition’, International Journal of Comic Art 7.2, Fall/Winter 2005, pp358-369.

Curation and Guest Editing:

Guest Editor of ‘Comics, Conscience and Gender’ Studies in Comics 15(1) (Summer 2024).

Guest Editor of ‘Conjuring a New Normal: Monstrous Routines and Mundane Horrors in Pandemic Lives and Dreamscapes’ The Comics Grid (January 2024).

Guest Editor of ‘Gothic and Comics’ Gothic Studies 25(3) (November 2023).

Curator of ‘British Comics’ Blog Series at Confessions of an Aca-Fan, http://henryjenkins.org/ (October 2019-March 2020).

Guest Editor of ‘Metal and Politics’ Metal Music Studies 4(2) (2018).

Additional:

‘‘WWWWD: What Would Wonder Woman Do?’ An Interview with Trina Robbins’ by Olivia Hicks and Julia Round. Studies in Comics 7.2, Fall/Winter 2016, pp288-300.

Interview with Charlie Adlard. Studies in Comics 4.1, Spring/Summer 2013, pp5-14.

Contributor to Icons of the American Comic Book, ed. Randy Duncan and Matthew J. Smith (Santa Barbara, CA: ABC-Clio, 2013).

Interview with Henry Jenkins. Studies in Comics 3.2, Fall/Winter 2012, pp191-202.

Contributor to the Blackwells Encyclopaedia of the Gothic, ed. David Punter (Oxford: Blackwells, 2012).

Contributor to the Greenwood Encyclopaedia of Comic Books and Graphic Novels, ed. M. Keith Booker (Westport, CT: Greenwood Press, 2010).

Professional and Commercial Publications:​​​​​

‘Our Friend of the Mists’ in Hellebore magazine (December 2023)

‘Mary Shelley’s Legacy in British Girls’ Comics’ in Conception – Mary Shelley: The Making of a Monster by Deborah Clair (Methuen, 2023).

‘Introduction’ in Misty: 45 Years of Fear (Rebellion, 2023)

‘The Black Widow: Context and Girlhood’ in The Art of Jaume Rumeu (Rebellion, 2021).

‘Gothic Children: Investigating Comics & Children's Literature with Dr. Julia Round’ at What Sleeps Beneath (19 June 2020). https://www.whatsleepsbeneath.com/all/gothicchildren/juliaroundinterview

‘Horror, Adventure and Adaptation: Locke and Key from Comics to Netflix’, with Dr Terrence Wandtke, at Pop Junctions (11 May 2020).

‘Misty’s Serial Stories and Gothic Heroines’ in Comic Scene #10 (ComicsFlix.org Publishing, January 2020).

Interview material, Best of British Magazine (January 2020).

‘Gothic for Girls’ interview, Sci-Fi Pulse (January 2020). https://www.scifipulse.net/julia-round-on-her-academic-work-and-her-book-gothic-for-girls-misty-and-british-comics/.

Interview material, Judge Dredd Megazine (Rebellion, November 2019).

‘Misty and the Horrible Hidden History of British Comics’ for Confessions of an Aca-Fan blog series (October 2019). http://henryjenkins.org/.

‘Horror Hosts in British Girls’ Comics’ in Comic Scene #4 (ComicsFlix.org Publishing, January 2019).

‘Cult Conversations: Interview with Julia Round’ at Confessions of an Aca-Fan (November 2018).

‘Misty: From Creation to Revival’ in Comic Scene #1 (ComicsFlix.org Publishing, October 2018).

‘In Memoriam: Jack Cunningham, Art Editor of Misty’ for Down the Tubes (September 2018). https://downthetubes.net/?p=100776.

‘Maria Barrera Castell’ in Anthologie Misty (Delirium, 2018).

Interview material, 2000 AD Prog 2011 (Rebellion, December 2016).

‘Shirley Bellwood’ in Misty Volume One (Rebellion, 2016).

​

Books and edited collections:

Peer reviewed articles and book chapters:

Professional and Commercial Publications: